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| Inking out the north Kent coastline in ‘scratch pen’ |
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| The tide’s in |
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| Before adding a (water)colour, I have to wait for exactly the right time for the clear water ‘base’ to become a sheen, (not a sopping wet puddle). |
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| When the water base is ready, the new colour pigment flows into it seamlessly. |
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| Drying in the summer warmth outside my cabin |
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| The main colour work is complete |
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| Detail showing a mixture of pthalo blue and sienna and the pitted texture of the Bockingford paper |
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| A cephalopod raises a glass with one of his many arms |
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| A Kentish icon - the oast house, where hops were dried |
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| The scratch, or ‘dip’ pen provides a lovely ‘fat and thin’ elegant line |
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