‘One for the pot’ (lobster)

‘One for the pot’  © Peter Gander 2012

A poor photo of this painting (at A3 or 42cm x 21cm it’s too large for my scanner), but hopefully you’ll get the gist. The outline was done with a jumbo bamboo dip pen and Ultramarine ink. Watercolour and ink on The Langton Prestige 300gsm rough paper. • SOLD

Sketch for ‘Whitstable smack’ linocut

Sketch, ‘Whitstable smack’ © Peter Gander

For my end-of-the-month show, a preliminary sketch for ‘Whitstable smack’, which will be a linoprint using a composite of images of all things Whitstable. A smack is the distinctive sail boat shown in the centre, these were used for bringing in the oysters. Also featured are the Crab & Winkle, (after Britain’s first passenger railway from Canterbury to Whitstable); a wind farm turbine; the Fish Market standing figure, as per my previous linocut); a Maunsell Fort (ditto); The Street (sea shingle walk, ditto), Oysters, seagulls, fishing huts, an anchor and a rope border. This sort of composition is inspired and influenced by the wonderful woodcuts of British artists Geoffrey Wales (who actually lived in nearby Margate), Eric Ravilious and the linocuts of Edward Bawden.

Suffolk sow, Snape

Suffolk sow, Snape © Peter Gander

On the way back home from Orford we spotted this free-range pig farm at Snape, Suffolk. Their bright, chrome-like, corrugated tin huts resembled wartime Anderson shelters amidst a bleak landscape. There were many huge sows like this one snuffling out deep holes in the wet winter earth, looking pretty content. A large, dry brush dragged across the very rough surface of this paper ensures a lovely texture is obtained for the muck and dirt on the sow’s body. Sepia Conté pencil and watercolour on 300gsm Daler Rowney The Langton 100% cotton Forme Ronde (Mould-made) paper.