Fiona’s Flamingo hand-painted wooden wall art

I always endeavour to make a handcrafted gift for my wife Fiona for Christmas and this year I opted for a flamingo, a bird which she is fond of. Discovering an old and rather naive version of one set against the sea, I was taken by the idea of putting our local landmark Herne Bay pier head on the horizon. The engraving flamingo had a rather woeful-looking neck, so I gave it a more graceful curve, which also a better fit to my tall format and I was not giving much attention to reality, so this bird has an exaggerated neck.
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My inspiration, an old coloured engraving, showing my grid and adapted neck to fit a taller format.

The oldest draughting trick there is: drawing a grid to translate the image  onto a larger format.

As long as your grid’s reliable, you can draw any squares in (note mine are numbered like a Battleships game) so you can re-visit undrawn areas...

Ensuring that the width of the neck is graceful and ‘S’-like.

Tracing the 2nd side before rubbing down

Positioning the trace down. To make this easier, the trace matches the size of the plank of wood

The trace taped on to transfer down

The darker line shows where the trace is complete. Sometimes a contrasty colour, like a red biro works well for this.

I liked the original caption, so traced that down too

A bottle of local craft beer helps burn the midnight candle!

Base colour for the pink in light acrylic

Blending in a rose madder pink

Base colour complete (note top of plank is yet to be trimmed off square, but acts as a useful trial area for colours

Loosely dashing in lighter ling leg segments

Loose is my style, so adding the sea in sketchy curls

Coming together

Prior to the ‘staining’, the colours looked a tad brash...

Adding an engraving-style scratch pen line in black ‘tightens up’ the image

Looking good with the caption hand-drawn in ink, prior to putting the coffee on!

Yes, really using my favourite black espresso coffee to add a sepia-coloured patina

A petit gris brush lays down the coffee

Head close-up showing the still-wet coffee lying on top of the original whitewash base

Local icon ‘Herne Bay pier head’

After staining, I bevelled the edges with a plane (sides) and surform (ends)

The final piece.

Kent University Philanthropy Map

The paper

‘Scratch’, ‘dip’, or ‘quill’ pen.

I don’t like sketching out in pencil first, I prefer to dive in with ink. Riskier but a more enjoyable and spontaneous/natural line results.

A scant pencil crosshair is enough for me to work out the composition on this trick circle.

Have a Gander were recently commissioned to provide a hand-drawn map for local University of Kent at Canterbury. The map features on the inside cover flap of a book on Philanthropic Gifts to the university over the past 50 years. Work-in-progress ink and watercolour work on ‘The Langton’ 300gsm ‘Grain Fin’ paper.

Fishing lure 131015

Imitation and life, as it were  © Peter Gander 2013

Despite being an avid fisherman, I must admit to never having mastered the lure, admiring from afar their beauty as objects but that’s as far as it goes (so far). This one sports a chunky diving vane on its lower lip and a ruddy throat which I understand throws the intended quarry into a lusty attack, thinking that the faux fish is injured. Unusually for me, I used masking fluid for the hard-edged spine highlight as it does give a strong effect (usually I bring wax to the art table for similar effect). The white/cream paper, though full of texture (Hahnemuele Andalucia 500gsm board) lacked a certain something, so I cut out a fish-body-sized mask of paper and lay it on top of the coloured fish. Then sprayed it freely with blobs of watercolour paint tapped over the back of the hand for that more characterful bespattered look.

Lure 131015  © Peter Gander 2013

Herne Bay Festival kids’ tee shirt art

© Peter Gander 2012

A final version of my Herne Bay Festival kids’ tee shirt in black on white, with a few minor changes.

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