Tuesday, June 30, 2009
wet into wet
Showing the use of 'wet into wet' paint, which means that the colours blend well with soft edges. Note that I am not a lover of miniscule detail and enjoy using a very large (size 16) Kolinsky squirrel hair brush. These brushes hold a fantastic amount of liquid. This is important for me as I often work on large format paper. Though huge, this brush has a very fine tapering point as you can see, so I can also use it for smaller stuff. If I wasn't adding the occasional small detail on this painting, such as the eyes, I would happily enjoy the simplicity of using just the one brush. Not for me a mountain of differing-sized brushes, I like a bold painting!
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Illustration for upcoming 'Lake District Map'
Hand-drawn in brush pen with digital colour. © Peter Gander
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Crow II monoprint © Peter Gander Another monoprint study. This is essentially a sketch for a two-colour linocut that I plan to cut later ...
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Using a heavy-duty craft (Stanley) knife to get rid of excess lino All off, then I bevelled the outer edge of the fish to avoid it catc...
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