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Monday, July 11, 2016
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Sunday, December 27, 2015
Fiona’s Flamingo hand-painted wooden wall art
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The oldest draughting trick there is: drawing a grid to translate the image onto a larger format. |
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As long as your grid’s reliable, you can draw any squares in (note mine are numbered like a Battleships game) so you can re-visit undrawn areas... |
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Ensuring that the width of the neck is graceful and ‘S’-like. |
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Tracing the 2nd side before rubbing down |
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Positioning the trace down. To make this easier, the trace matches the size of the plank of wood |
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The trace taped on to transfer down |
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The darker line shows where the trace is complete. Sometimes a contrasty colour, like a red biro works well for this. |
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I liked the original caption, so traced that down too |
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A bottle of local craft beer helps burn the midnight candle! |
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Base colour for the pink in light acrylic |
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Blending in a rose madder pink |
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Base colour complete (note top of plank is yet to be trimmed off square, but acts as a useful trial area for colours |
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Loosely dashing in lighter ling leg segments |
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Loose is my style, so adding the sea in sketchy curls |
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Coming together |
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Prior to the ‘staining’, the colours looked a tad brash... |
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Adding an engraving-style scratch pen line in black ‘tightens up’ the image |
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Looking good with the caption hand-drawn in ink, prior to putting the coffee on!![]() |
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Yes, really using my favourite black espresso coffee to add a sepia-coloured patina |
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A petit gris brush lays down the coffee |
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Head close-up showing the still-wet coffee lying on top of the original whitewash base |
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Local icon ‘Herne Bay pier head’ |
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After staining, I bevelled the edges with a plane (sides) and surform (ends) |
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The final piece. |
Monday, November 30, 2015
The art of scrimshaw - Mollyjogger’s penknife vII
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A quick sketched outline for size |
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This is what I had in mind but this side turned out a bit more ‘freeform’ |
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Adding a fish (the fun bit) |
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The kit comes with carbon paper - use silver side up |
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Taping the trace over the carbon |
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A complete fish drawn but I like to ‘hoof it’ a bit, so just transposed a simple outline |
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This was enough for me to work on, just the body shape |
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Once the main fish lines were incised, it was easy to add more ink using the cotton buds |
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The ink is progressively wiped away using the wire wool from the kit |
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The final fish, complete with fly line and fly |
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1/2 dram of ink, ink swab and incising tool. As you can see, I deviated from my original design for this side, making things up as I went after all. |
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A piece to treasure and none like it in the world! |
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Okay, the dorsal fin’s too long and carp-like, but it looks great |
- Steel-point Scribe
- 1/2 Dram India Ink
- Tracing Tool
- Transfer Paper
- Fine Steel Wool
- Ink Applicators
- Specialty Multi-Surface Pencil
- Step by Step Instructions and Sample Graphics
See picture captions for details, but this is as close as you can get to experiencing the whaling sailor’s art first-hand. A more original piece, whether for yourself or an ‘outdoorsy’ friend, you’d be hard-pushed to find. I hear they can ship to the UK for Christmas if ordered by the end of the 1st week of Dec too...
Tuesday, June 09, 2015
Kent University Philanthropy Map
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The paper |
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‘Scratch’, ‘dip’, or ‘quill’ pen. |
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I don’t like sketching out in pencil first, I prefer to dive in with ink. Riskier but a more enjoyable and spontaneous/natural line results. |
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A scant pencil crosshair is enough for me to work out the composition on this trick circle. |
Have a Gander were recently commissioned to provide a hand-drawn map for local University of Kent at Canterbury. The map features on the inside cover flap of a book on Philanthropic Gifts to the university over the past 50 years. Work-in-progress ink and watercolour work on ‘The Langton’ 300gsm ‘Grain Fin’ paper.
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Mitchells & Butler Toby Carve-Up cartoon
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