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Thursday, May 13, 2010

Linoprint: '2010'

My fiancée Fiona is a photographer and one of the marvellous things she does is produce 'Family mosaic photos', huge prints containing a combination of old and new photographs in one place. We have one of our family here:
Note the date lies in the bottom corner and it is for this dating purpose that I have cut a new linoprint for this year. Just for fun, I've included a couple of icons of 2010 (I know, it's barely begun) that mean something at least to us UK residents. The sharp-eyed will see the door to number 10 Downing Street next to the number 1 and the Eyjafjallajökull volcano inside the zeros. Water-based ink on 96gsm cartridge.

Monoprint: Blue fish 100513


Back to the lighter side of things with this foamboard print of a fish. The foamboard was cut into its respective areas of separate colour, jigsaw-style and each piece inked then slotted back into 'the bigger picture'. The foam lends a lovely dotted texture. Because it is also soft, impressions are easily made. For instance, the scales were made by pressing the back of my fingernail into the foamboard and the wavy water lines by the sharper edge of my nails. Although strictly speaking, this is a 'monoprint', I did produce some more copies with different colours, but this, the first one, is my favourite, using a restricted, but harmonious, palette of colours.

Monoprint: Nude back 100505


A far more appealing print this time, I was pleased with the timelessness in this one. It feels quite 'Paris of the 1890s' ;)

Monoprint: Ghost girl 100505


This wasn't intended to look quite so spooky or disturbing, it just came out that way. Don’t have nightmares ;)

Monoprint: Brown trout 100505


A less whimsical fish portrait this time, this 'dark tone monoprint' came out exceptionally well. The ink is rubbed away from the plate for the lighter areas with a damp cloth or scratched away with tools and ink is also added directly for newer dark areas. Once the paper is registered over the print, it is rubbed down, or 'burnished' to pick up the ink fully. My fingerprints can be seen on the lower right where I had touched the edges of the plate. But using artistic licence, I will pretend they are riverbed pebbles :)

Wednesday, May 05, 2010

Koi ghost


A stylised white ink brush painting of a Japanese koi carp. Wave detail is Conté sanguine pencil.

Mitchells & Butler Toby Carve-Up cartoon

  A subject close to my heart, as a child I used to climb the many mature trees here at Whitewebbs, Enfield when I lived in Freezywater. Sho...