Following on from yesterday’s painting of the pigs at Snape in Suffolk, I wanted to explore a more gritty texture for the pig and an uncoated board print fits the bill nicely. Board prints (paper/card-based) are ideal for speedy but impressive printmaking. (The small print runs also make them more attractive for collectors). The pig here is cut out jigsaw-style from the background which is also kept for the second colour. The two pieces are then inked up seperately, printing the (pink) pig first ten times then running the printed pig through for the second (background/mud-brown) run. I did try other coloured papers for this, but only a black will reveal important lines, such as her mouth and the shadow under her ear. You have to think in negative values, which is quite tricky as the ‘holes’ become the black areas. You can see why I chose uncoated board for this, as it reveals some great textures you just don’t get with a smooth surface, such as line. The appearance is actually closer to woodgrain than lino. 2-colour oil-based ink on Raven black paper, 1 of a limited edition of 10.